Favourite Easter Movie:Easter Parade

"Judy Garland singing Easter Parade"

Easter Parade Lyrics

Never saw you look quite so pretty before
Never saw you dressed quite so lovely what's more
I could hardly wait to keep our date this lovely Easter morning
And my heart beat fast as I came through the door
For

In your Easter bonnet, with all the frills upon it
You'll be the grandest lady in the Easter parade

I'll be all in clover and when they look you over
I'll be the proudest fellow in the Easter parade

On the Avenue
Fifth Avenue
The photographers will snap us
And you'll find that you're
In the rotogravure

Oh, I could write a sonnet about your Easter bonnet
And of the girl I'm taking to the Easter parade




Originally intended as a re-teaming of Judy Garland and Gene Kelly, EASTER PARADE ran into trouble when Garland's doctors advised against her working under the direction of her husband, director Vincent Minnelli--and no sooner did director Charles Walters take the helm than Gene Kelly broke his leg. Out of such confusion are movie musical miracles born: although a bit old to act as Garland's leading man, Fred Astaire was coaxed out of retirement. He and Garland had tremendous chemistry, EASTER PARADE was a box office smash, and Astaire unexpectedly found himself reborn as an MGM star.

Set in 1900s New York, the film's story line is flimsy but enjoyable. After long-time dance partner Ann Miller abandons the act, Astaire hires chorus girl Garland and attempts to recast her in his former partner's mold--a situation which offers Astaire and Garland considerable comedy and gives Astaire the chance to parody several of his own famous dance of the 1930s. Garland eventually convinces Astaire that she needs to be herself, and once the act is revamped they become a hot ticket--and, once their several romantic complications are resolved, romantic partners as well.

Astaire is every bit as charming here as he was in his Ginger Roger days, and his choreography retains his signature sharpness, wit, and elegance. Although Garland isn't really a dancer, she holds her own with Astaire and she tears strips off a brilliant score of Irving Berlin favorites. Both are well supported by Anne Miller, who gives a brilliant turn with 'Shakin' the Blues Away,' and Peter Lawford, who is quite charming as one of Garland's admirers. Although this really isn't as inspired as the truly great MGM musicals of the late 1940s, director Walters keeps it going at a smart pace, and the star power, clever script, memorable score, and those legendary MGM production values elevate it well above the pack.

Trivia

* Garland's husband Vincente Minnelli was originally slated to direct, but Garland's psychiatrist advised them not to work together.

* The shedding feathered gown worn by Garland in one number is an in-joke reference to Ginger Rogers' problematic gown in Top Hat (1935).

* A Garland solo number, "Mr. Monotony", was cut from the film.

* Gene Kelly was originally scheduled to play Don, but he unexpectedly broke his ankle playing touch football. It was at his suggestion that he be replaced by Fred Astaire. Cyd Charisse was up for the role of Nadine, but her pregnancy forced her to drop out. She was replaced by Ann Miller. Although she had been a star for years, Judy Garland had never met Fred Astaire before, and was afraid to speak to him until they were properly introduced.

* This is the second time that a character says to Judy Garland: "Why didn't you tell me I was in love with you?" in a film. The first was Gene Kelly in For Me and My Gal (1942).

* Ann Miller danced with pinched nerves in her back. Also, she was too tall, so she had to wear flats so she wouldn't be taller than Fred Astaire.

* The dye from the feather on Judy Garland's hat in "Fella with an Umbrella" song, ran all over her face and jacket, so they coated it with vaseline. The feather looks different in two different shots.

Later,
Kenaz