Ashamed of our Government

Flags for our federal leaders should be lowered to half-mast.

What kind of government is ruling our country if soldiers who have selflessly dedicated their lives to protecting us are not allowed one last show of respect?

The flags at Parliament Hill should be at half-mast for the Canadian soldiers who have lost their lives in Afghanistan, and also for governments that are unwilling to respect the sacrifice they have made so the rest of us can live freely.

The Canadian government lowers the Parliament Hill flags for unelected senators who have passed away, but not for the men and women serving overseas for our safety and liberty?

Families of the fallen soldiers have voiced their outrage and no official response has been made.

Why?

Because our government is too ashamed that the death toll in Afghanistan for 2006 alone has already matched the death toll for all of 2002, 2003, 2004, and 2005?

I am ashamed of the actions of our government and demand that changes be made to honour those who have fallen, so the rest of us can stand united.

Later,
Kenaz

Michael Gardiner, Burn in H*ll

Michael Gardiner laughed uproariously as he told a police detective about repeatedly stabbing a Jackson Square store manager who courageously fought off his attempted rape, in a sickening interview given to police on May 27, 2004, about six hours after the 27-year-old federal parolee, who admitted to having fantasies of rape, walked across York Boulevard from the Hamilton Community Correctional Centre to Jackson Square.

Inside the mall, Gardiner randomly selected an attractive blond woman who had passed him in the hall with a takeout coffee cup in hand. He waited until she opened Picture Plus for business, then he casually walked into the store with a jackknife in his pocket.

Police asked Gardiner what happened after he followed her into the rear office/stockroom and began to stab the woman.

I don't know, she stood up, I couldn't figure that out, so I thought ... I'd better stick her again so she stays the (expletive) down, so I could do what I want to do (rape her). Said Gardiner.

Then, with the police video camera rolling, Gardiner slowly began to grin and then to laugh out loud.

The detective doing the interrogating then told him the severely wounded woman had survived surgery and asked Gardiner what he would say to her if he could.

Well, first of all, that I'm sorry for what I did, you know, I don't know. I hope God ... kills me soon 'cause I've had enough of this ... jail, jail, jail, jail, jail ... All my life has been jail, eh? And each time you come out, the ... angrier you get at society and everybody else, you know.

In contrast to her assailant's cold-blooded manner in relating the crime to police, the survivor gave a deeply emotional impact statement yesterday in court. The woman, who suffered 22 stab wounds, including lacerations to her throat, upper chest, abdomen, left hand, elbow, arm, back and left knee, told the court the scars were constant reminders of the terrifying ordeal and all that she has lost.

She had resisted the rapist with all her might, fearing that if she stopped fighting she would die. Gardiner finally gave up and the severely wounded woman managed to stagger out of the office and make her way out into the mall. As she walked out of the store, Gardiner ran past her, fleeing in the direction of the Hamilton Public Library. He was later apprehended by security staff with the library.

I'm a survivor, not a victim

the woman said.

This brave soul can look forward to a lifetime of emotional trauma, complete with bouts depression, anxiety, panic attacks and insomnia. She already displays short-term memory problems, a symptom of post-traumatic stress, which made performing household chores difficult, let alone finding work outside the home.

The severe injuries to her left hand, which was dominant before the attack, left the artist unable to draw or sketch for more than an hour at a time. Her saving grace is a dog that she and her fiance picked out at the pound. They had the animal trained as a personal-security dog.

In contrast, the devils reject who will most likely be declared a dangerous offender is set for life to be kept "safe" in prison by the same system that let this women be hurt.

This is another case of system incompetence does the people wrong. When will it stop? When is enough, enough? It's about time the people of this great city say we are mad as hell, we want a safe city to work, live and play in. Now!

Later,
Kenaz

Ever have dreams like this?

Just finished up another long week down at the Cadbury factory. Put in sixety hours this week boxing and packing enough "Gummy Bears" and all their friends to start an army of the little guys. Anyway, I'm off to bed, but I thought I'd share this picture to illustrate how I feel right know.



PS. I hope everybody treated their moms right on their special day? For me, the memories of all the great things that my mother did for me was enough to fill everyday. Remember that living for today is better than saving it for another, that day may never come.

Later,
Kenaz

Good News For Hamilton's East End

Shoppers stroll in Centre Mall in 1959.

For a change...

Hamilton's Barton Street will look radically different in 2008 as it was announced that the aging shopping dinosaur the Centre Mall is getting a whopping $100 million transformation its owners say will make it a regional shopping destination.

The largest single retail investment in east-end history will transform the 51-year-old mall on Barton Street East into an 800,000-square-foot complex. Developers would not reveal yesterday if it will be a power centre mall (an unenclosed shopping centre) or a conventional mall -- or a combination of both. I wish would be for a place mostly enclosed wish areas open for a farmers market or bazaar type shopping area. Something along the lines of the Downtown Farmers Market.

They'll break ground this fall and expect to open the doors in 2008. I agree with city Councillor Sam Merulla for a change when he called the project a rebirth. The East end has gotten a bad reputation over the last twenty years as a place for the destitute and punks to hang out and beg. Done right this new mall will give a much needed injection of pride back to the area citizens.



Centre Mall, once the largest in Canada, is co-owned by the CPP Investment Board and Osmington Inc., a private Canadian real estate firm. The CPP Investment Board is a Crown corporation that invests funds from the Canada Pension Plan. It has a $4 billion real estate portfolio, mostly in office and commercial real estate properties. It also owns Eastgate Square.

The developers are counting on the Red Hill Valley Parkway to bring business their way. While the east end has a strong consumer base, officials say they want to attract shoppers from across the region.

Big-box stores? Or a mixture? Is the $100 million dollar question. An all new building from scratch needs a fresh look to go with it. A mixture of enclosed and free-standing buildings. Sears and Canadian Tire already own property on the site. Sears Canada has no plans to change and Canadian Tire is currently exploring its options which could mean it plans to revamp it's dated outlay.

Some of the other tenants will stay like Grand and Toy and hopefully the buzz will lure the likes of Walmart, Home Outfitters and TGIF. Once you have the larger tenants and set them on the site, then the rest of the pieces fall into place. Details are slim but it's clear who ever hitches up and comes east, the change will be profound.

The mall is now at about 600,000 square feet after the demolition of the old Kmart and food court at the back of the property last month. The city says when complete at 800,000 square feet, it will be comparable to Ancaster's Meadowlands project, which is about 980,000 square feet, or Lime Ridge Mall at 850,000 square feet. And cash like $100 million goes a long way, of course.

Yorkdale Shopping Centre in Toronto, for example, spent $65 million upgrading and building 40 stores last year. It plans to spend another $40 million upgrading the rest of its property.

Each day as I ride the bus past the little shops in Westdale to work I dream about how great something like that would look great in contrast to the bleak grayness of the east end, and with this announcement the east will once again shine!

Later,
Kenaz

For my mother

May 7,1999 a piece of me was taken when my mother passed away. Here's a home movie taken from her viewing. Her eternal glow will forever keep me warm.



Later,
Kendall

Rest in Peace Aunt Lorraine

OLIPHANT, Lorraine Velma - Peacefully at home, surrounded by her family, on May 4, 2006, Lorraine Oliphant, in her 74th year. Beloved wife of 56 years to Albert. Loving mother of Albert (Rebecca), and Keith (Heather). Dear gramma of Matthew, Aaron, Spencer and Curtis. Dear sister-in-law of Eileen (Bob), Eleanor (Johnny), Delores (Bill), Lorraine, Carol, and Sherrylyn. Predeceased by her mother Velma, brothers Victor and Bob, brother-in-law Ken (Bernice), and sister-in-law Doreen.

My fondest memory of my Aunt goes back to August of 1977. My parents where in Europe, veiwing the great sites. My sister Cherlyanne and I, the two youngest children had the opportunity to visit the country side for the month.

My Uncle and Aunt where great hosts, offering plenty of stimulation for your average seven and eleven year olds at and around their Binbrook, Ontario home. I worked on a paint by numbers picture of a horse that they bought for me with the intensity of one of the great masters. A "great job" was all I needed, I think I kept that "treasure" for years later as a momento of that summer.

To most August 1977 was the year the "King" died, and I remember the shock on everyone's face. For me it was the summer of watching Beretta, summer thunder storms and my Aunt and Uncle.

Memories are forever and those of that summer and every day spent in the company of my Aunt Lorraine will forever be remembered.

Thank you, and serve the lord well.
Kendall

Hamilton Waterfalls Video

"Hamilton - The City of Waterfalls"

Later,
Kenaz

Alfred Hitchcock

The Master of Suspense, Alfred Hitchcock, began his movie career as an inter-titles designer for silent films in Britain and had just begun directing when sound films were introduced in the late 1920s. Though his early British films were successful, it was the films Hitchcock made after coming to Hollywood in 1939 that made him one of the most recognizable and commercially successful film directors of all time. Oddly enough, though he was nominated for five Best Director Oscars, Hitchcock never won the prize. However, he did received the Irving G. Thalberg Memorial Award from the Academy of Motion Picture Arts and Sciences in 1968.

In his eleventh film, BLACKMAIL (1929), the first talking picture made in Britain, Hitchcock began making now-famous cameo appearances in each of his films. In BLACKMAIL, he can be seen on the subway being harassed by a little boy.

In THE 39 STEPS (1935), one of Hitchcock's most successful films from his early British career, featuring Robert Donat and Madeline Carroll, Hitchcock made his cameo appearance as a litter bug outside a London music hall.

"A Train through Scotland" with Robert Donat and Madeleine Carroll (a .AVI file).

Pursuing greater opportunities than those available in Britain, Hitchcock moved to Hollywood in 1939. His first film made under contract to producer David O. Selznick was an adaptation of Daphne Du Maurier's REBECCA (1940), starring Laurence Olivier, Joan Fontaine and a host of talented British character actors including Judith Anderson, George Sanders, Gladys Cooper, Florence Bates, Nigel Bruce and C. Aubrey Smith. In addition to popularity with critics and audiences, REBECCA also won the Academy Award as Best Picture of 1940 -- Hitchcock's only film to take the top prize.

In 1941, Hitchcock acted as producer and director on SUSPICION, another popular suspense thriller set in his native England (though again filmed in Hollywood) and starring Joan Fontaine as a wife who fears her husband, Cary Grant, only married her for her money and is now trying to kill her. Although SUSPICION marked Hitchcock's last film with Fontaine, it proved to be the first of four successful teamings with Cary Grant whose cool and charming demeanor made him one of Hitchcock's favorite leading men.

In 1943, Hitchcock teamed with playwright Thornton Wilder and went on location in Santa Rosa, California to create SHADOW OF A DOUBT (1943), one of his most neglected masterpieces. Featuring Teresa Wright as a young woman who fears her Uncle Charlie (Joseph Cotten) may be a hunted murderer, and also showcasing memorable character performances by Patricia Collinge and Hume Cronyn, SHADOW OF A DOUBT, Hitchcock often remarked, was the director's personal favorite of all his films

His next film, LIFEBOAT (1944), told the story of a group of shipwrecked passengers stranded in a lifeboat, and starred Tallulah Bankhead alongside William Bendix, Walter Slezak, John Hodiak and Hume Cronyn. It is unique among Hitchcock's films (and films of the period) because all the action is confined to a single set. (Incidentally, this isolated staging required Hitchcock to make his cameo in a newspaper ad.)

In the first of three films Hitchcock would make with David O. Selznick's Swedish import Ingrid Bergman, SPELLBOUND (1945), the director delved into the still-fledgling science of psychoanalysis and hired surrealist artist Salvador Dali to work as art director on the film's famed dream sequence. Though its simplistic approach to analysis dates SPELLBOUND a little, the film is still a fascinating piece of movie making, and co-stars Gregory Peck in one of his earliest screen roles.

Hitchcock's second film with both Ingrid Bergman and Cary Grant, NOTORIOUS (1946), proved to be another smashing critical and box-office success, this time about the daughter of a convicted Nazi spy who agrees to go undercover for the American government in Rio di Janeiro and spy on her father's former associates, including Claude Rains. The key featured on the poster at left is an important prop in NOTORIOUS, and in 1979 when Hitchcock was honored by the American Film Institute with the organization's Lifetime Achievement Award, Ingrid Bergman presented the key to Hitchcock as a token of good luck.

Hitchcock's last film under his contract with Selznick was THE PARADINE CASE (1947), the story of a defense attorney (Gregory Peck) who becomes obsessed with the guilt or innocence of his client (Alida Valli), a women accused of murdering her husband.

More than just a film director and producer, Hitchcock was also an innovator, staying abreast of the latest technologies and pressing the boundaries of the narrative use of special effects. In ROPE (1948), he attempted to create a film without cuts by combining ten-minute-long takes into a seamless flow of action. Inspired by the real-life Leopold-Loeb murder case, ROPE is the story of two young men (Farley Granger and John Dall) who kill a prep-school friend for the thrill of it and invite friends and family to their apartment where the body is hidden. Though interesting, in the final analysis, ROPE is more notable for its experimental approach to filmmaking than for its qualities as a taught thriller. Co-starring Jimmy Stewart and made for Warner Bros., ROPE also marked Hitchcock's first color film.

In STAGE FRIGHT (1950), Hitchcock cheated his audience for the first time by beginning the film with a deceptive flashback which lures the audience into believing what it sees. Despite that shortcoming however, this story of a seductive London actress (played by Marlene Dietrich) whose wealthy husband is murdered and whose young protégé (Richard Todd) is accused of the crime despite the protestations of his aspiring actress friend (Jane Wyman) is still entertaining. Also featuring notable contributions from British character actors Alastair Sim and Joyce Grenfell, STAGE FRIGHT was not one of Hitchcock's most commercially or critically successful films, but it's almost worth watching just to see Marlene Dietrich perform Cole Porter's "The Laziest Girl in Town."

STRANGERS ON A TRAIN (1951) with Farley Granger, Robert Walker and Ruth Roman.
I CONFESS (1953) with Montgomery Clift, Anne Baxter, Karl Malden and Brian Aherne.
THE TROUBLE WITH HARRY (1955) with Shirley MacLaine, John Forsythe, Edmund Gwenn, Mildred Natwick and Mildred Dunnock and a young Jerry Mathers (before "Leave It To Beaver").
DIAL M FOR MURDER (1954) with Ray Milland, Grace Kelly and Robert Cummings.
REAR WINDOW (1954) with Jimmy Stewart, Grace Kelly, Thelma Ritter and Raymond Burr.
TO CATCH A THIEF (1955) with Cary Grant and Grace Kelly.Hitch's first VistaVision film.
THE MAN WHO KNEW TOO MUCH (1956) with Jimmy Stewart and Doris Day.
THE WRONG MAN (1956) with Henry Fonda and Vera Miles.
NORTH BY NORTHWEST (1959) with Cary Grant, Eva Marie Saint, James Mason, Leo G. Carroll and Martin Landau.
PSYCHO (1960) with Janet Leigh, Anthony Perkins, Vera Miles, John Gavin and Martin Balsam.
THE BIRDS (1963) with Tippi Hedren, Rod Taylor, Jessica Tandy and Suzanne Pleshette.
MARNIE (1964) with Tippi Hedren, Sean Connery and Diane Baker.
TORN CURTAIN (1966) with Julie Andrews and Paul Newman.

Complete Filmography
Filmography:
1921 APPEARANCES (inter-titles designer)
1921 THE BONNIE BRIER BUSH (inter-titles designer)
1921 THE CALL OF YOUTH (inter-titles designer)
1921 DANGEROUS LIES (inter-titles designer)
1921 THE GREAT DAY (inter-titles designer)
1921 THE MYSTERY ROAD (inter-titles designer)
1921 THE PRINCESS OF NEW YORK (inter-titles designer)
1922 LOVE'S BOOMERANG (inter-titles designer)
1922 THE MAN FROM HOME (inter-titles designer)
1922 THE SPANISH JADE (inter-titles designer)
1922 TELL YOUR CHILDREN (inter-titles designer)
1922 THREE LIVE GHOSTS (inter-titles designer)
1923 THE WHITE SHADOW (editor, art director)
1923 WOMAN TO WOMAN (screenwriter, editor, art director, assistant director)
1924 THE PASSIONATE ADVENTURE (screenwriter, art director, assistant director)
1924 THE PRUDE'S FALL (screenwriter, art director, assistant director)
1925 THE BLACKGUARD (screenwriter, art director, assistant director)
1925 THE PLEASURE GARDEN
1926 THE LODGER (and screenwriter)
1926 THE MOUNTAIN EAGLE
1927 DOWNHILL
1927 EASY VIRTUE
1927 THE RING (and screenwriter)
1928 CHAMPAGNE (and screenwriter)
1928 THE FARMER'S WIFE (and screenwriter)
1929 BLACKMAIL (and screenwriter)
1929 THE MANXMAN
1930 ELSTREE CALLING
1930 JUNO AND THE PAYCOCK (and screenwriter)
1930 MURDER!
1931 THE SKIN GAME (and screenwriter)
1932 NUMBER SEVENTEEN (and screenwriter)
1932 RICH AND STRANGE
1934 THE MAN WHO KNEW TOO MUCH
1934 STRAUSS'S GREAT WALTZ
1935 THE 39 STEPS
1936 SABOTAGE
1936 SECRET AGENT
1937 YOUNG AND INNOCENT
1938 THE LADY VANISHES
1939 JAMAICA INN
1940 FOREIGN CORRESPONDENT
1940 THE HOUSE ACROSS THE BAY (additional direction)
1940 REBECCA
1941 MR. & MRS. SMITH
1941 SUSPICION
1942 SABOTEUR
1943 SHADOW OF A DOUBT
1944 LIFEBOAT
1944 BON VOYAGE (short)
1944 ADVENTURE MALGACHE (short)
1945 SPELLBOUND
1946 NOTORIOUS (and producer)
1948 THE PARADINE CASE
1948 ROPE (and producer)
1949 UNDER CAPRICORN (and producer)
1950 STAGE FRIGHT (and producer)
1951 STRANGERS ON A TRAIN (and producer)
1953 I CONFESS (and producer)
1954 DIAL M FOR MURDER (and producer)
1954 REAR WINDOW (and producer)
1955 TO CATCH A THIEF (and producer)
1955 THE TROUBLE WITH HARRY (and producer)
1956 THE MAN WHO KNEW TOO MUCH (and producer)
1956 THE WRONG MAN (and producer)
1958 VERTIGO (and producer)
1959 THE GAZEBO (cameo)
1959 NORTH BY NORTHWEST (and producer)
1960 PSYCHO
1963 THE BIRDS (and producer)
1964 MARNIE (and producer)
1966 TORN CURTAIN (and producer)
1969 TOPAZ (and producer)
1972 FRENZY (and producer)
1976 FAMILY PLOT (and producer)

Academy Awards:
1940 REBECCA Best Director Nomination
1944 LIFEBOAT Best Director Nomination
1945 SPELLBOUND Best Director Nomination
1954 REAR WINDOW Best Director Nomination
1960 PSYCHO Best Director Nomination
winner 1967 The Irving G. Thalberg Memorial Award--
given to "a creative producer who has been responsible for a consistently high quality of motion picture production." (It is considered the highest accolade a producer can receive.)

DOWNLOADS

Later,
Kenaz

New Playlist Uploaded at Kenaz's Old Time Radio

I've added some new programs to my playlist over at Kenaz's old Time Radio. You can visit my station page or view by profile by clicking on the links below. Notice, in the side bar of this page the live365 station board which lists the next five tracks being currently played.

Kenaz's Old Time Radio(station page)
Kenaz's Old Time Radio (broadcaster profile)

ARCH OBOLERS PLAYS : SERIES THREE (1964 Syndicated) (January 1, 1964)

Series Dates : 1964
This is the THIRD of THREE series which began the career of Arch Oboler. As you know, Arch Oboler later went on to produce
the old time radio play Lights Out, Everybody. With such episodes as The Meteor Man and Immortal Gentleman. This is where
his career started. Sit back, and enjoy the old time radio terror. For this is where old time radio terror was born. In the
mind of Arch Oboler.

Currenly playing:
Big Ben - 1964-11-14, African Story - 1964-11-28 and Mirage -1964-12-19 from this series.

The Aldrich Family

Each episode started with the memorable line "Henry....Henry Aldrich......Coming Mother." Sadly not many of these programs are left today.

Currently playing:
Baby sitting or Movies, Cleaning the Furnace, Henry Gets A Letter From A Loan Company.

The Great Gildersleeve

Harold Peary as The Great Gildersleeve. This is the 1942-43 season.

Currenly Playing:
1941-12-28 ep018 Leroys Big Dog, 1942-08-30 ep045 Fishing Trip, 1942-09-06 ep046 The Golf Tournament

Gunsmoke

Gunsmoke Starring William Conrad as Matt Dillon.

Currently Playing:
52-04-26 Billy the Kid, 52-05-10 Jalsicoe Pete,52-05-31 Carmen

Plus a few great blues and jazz tracks the likes of Clarence Frogman Henry - You Always Hurt The One You Love and (I Don't Know Why) But I Do from The Chess Story Anthology 1947-1975 (1960-1961), Fontella Bass - Rescue Me - The Chess Story 1947-1975 (1965-1966) (Disc 11),John Lee Hooker - In The Mood - The Chess Story 1947-1975 (1965-1966) (Disc 11), Howlin' Wolf - Fourty Four - The Chess Story 1947-1975 (1952-1954 Part Two) (Disc 4), JOHN COLTRANE - Witches' pit - The Prestige Recordings CD 04. thrown in to entertain you between series.

Later,
Kenaz

Rune Reading For The Period Of April 24-April 30,2006

Introduction to Rune Readings

Rune readings are arrangements of the 24 runes (letters) of the old Futhark alphabet. The layout of the runes is known as a spread, and determines what each rune refers to. For example, in the Three Norns spread, the first rune represents the past, the second the present, and the third the future.

Sets: In addition to each rune having a meaning, the material in which the runes are carved can color the reading. Most people consistently use runes made of ceramic, stone, or wood. In order to broaden your experience, we offer readings with Gold Runes (for questions about business, career, and property), Jade Runes (for questions about love, friendship, and relationships), Ice Runes (for questions about struggle, conflict, and achievement), Spirit Runes (for questions about mysticism, spirituality, and religion), and Stone Runes (for questions about the natural world and things beyond human control).

The question will remain the same: "Will this week be a successful one?"

Rune Alphabet



Spread:Cross(in order of reading)
The Cross spread is used to plot the arc of your life and the forces acting on it. It is the most popular spread, giving a very complete view of the situation. Ice Runes are most commonly used for questions about struggle, conflict, and achievement.




Here is the Reading Using the Ice Set.

1.


The left rune represents an important element of the past. Ken is the rune of light and knowledge, driving away darkness and ignorance and revealing hidden truth. This rune also brings forth images of friendship and comfort. Ken is the light of inspiration, the light of imagination, and a beacon in the darkest hours.

2.


The middle rune represents a deciding element of the present. Ansuz refers to a god or the spoken word of God. It is the voice of reason, law, prophecy and truth. It is the truth heard in the wind. This rune represents wisdom obtained or knowledge delivered. It is the rune of absolute good advice and true council - the message we all must strive to hear.

3.


The right rune represents the critical element of the future, at the core of the final outcome. Sowelu is a strong symbol, for it represents the sun. Unlike equatorial cultures that may see the sun as a harsh and imperial force capable of causing droughts, in the cold north the sun is a purely feminine force that gives life and allows crops to grow. In dark times, this rune represents clarity of sight and the victory of good over evil. Sowelu is irreversible, as the cycles of the sun and seasons are perpetual.

4.


The top rune represents a force that works for you. Fehu is the rune of cattle, the symbol of wealth in the old Norse civilization. Since Fehu is the first rune in Frey's aett, it is a rune of fertility as well. As seen here reversed, it can represent barrenness or the loss of wealth. Some interpret Fehu as representing children, in which case the reversal may portend the distancing of a child from her or his parents.

5.


The bottom Rune represents a force that works against you. Inguz is the rune of completion and fertility. The presence of this rune suggests that tasks which have been initiated will come to fruition. This rune is associated with Ing and Frey, it is this connection that explains its connotations of both fertility and sexuality. The variant of this rune shown here is reminiscent of the twin strands of life, and of the challenge and rewards of bringing together things complimentary.

If you are further interested in Rune stones, please check out a script I wrote about three years ago. The story tells of a women's chance encounter with the towns rune reader and physcic. Her reading leads to a terrible discovery about her ex-husband.Click here to read 'Evil Of A Different Kind'

Later,
Kenaz

Tales From The Set:The State Within

Well I spent my Saturday all dressed up with no place to go on the set of a new miniseries by the BBC/Shaftesbury Films called THE STATE WITHIN. Produced by Patrick Cassavetti The series will be in Toronto till August. In the movie the U.S and Britain are caught up in the middle of a terrorist crisis. It's described as a combination of ‘All The President’s Men’ with a little part ‘24’.

I spent fourteen hours in two set ups around Old Toronto City Hall and Osgoode Hall first as a reporter on Washington's Capitol Hill covering a press conference by the press secretary (Maria Ricossa) in which she outlines the new fifteen minute seating policy for airline passengers.

The scene also included real life Toronto Sports Reporter Jody Vance(Roger's Sportsnet) as a Capitol Hill Reporter.

After lunch(road kill?) it was into the Men in Black suite to play a secret service agent. The scenes included Sharon Gless, Jason Isaacs, Ben Daniels and Paulino Nunes converging on the British Residence for a top secret meeting.

The mini-series is set to air sometime next year. That's all for now. Tomorrow I start a 'real' job down at the Cadbury factory. I hope to continue doing background work, it can be fun.

Later,
Kenaz

Tales From The Set:Angela's Eyes

Another night shoot, this time in China Town out on Dundas Street. Other than the smell of a mix between week old egg foo young and rancid rice wine vinegar eminating from the trash bins, it was an interesting night.

The shoot was for a new TV pilot called "Angela's Eyes". Emily Clinton (Abigail Spencer) is a straight As student with a loving family, and dreams of becoming a doctor. Then at age fourteen, Emily finds out that her parents are revealed to be CIA agents, suspected of treason for selling state secrets to the enemy. With her parents in prison, Emily's path takes her on a journey as an FBI agent in New York City, with a specialty for finding out when both suspects and victims are lying. However, the past still has a hold on Emily, making her suspicious of others, and closed-off to her new boyfriend Peter and younger brother, Jerry. No matter how much she tries to right the wrongs of her parents, she must still face them, and figure out whether or not they may possibly be sending her coded messages. The series is set to air sometime in July(?)

The scene entailed a jelous boyfriend, accusing his girl of having a lesbian affair after catching her giving her female friend an innocent kiss. He flies off into a rage, grabs her outside the resteraunt and threatens her with a gun. This is all witnessed by a detective and the suspect after a tense moment is arrested. Drama! Ya!

Our part was to cross notice the intensity of the situation and scatter when the gun comes out. All in all a nice cool spring night. I hope to work on this show again and the other biggie films set to descend on the area.

Those include Sir Richard Attenborough, who will be in Toronto May 3 to June 9, to produce/direct the romantic drama "Closing The Ring".

Premise of the film, beginning in 1943, focuses on a dying WW II bomber pilot who gives his ring to a local to return to his girlfriend in America. Fifty years later, another man finds the ring and attempts to find the woman.

"Closing the Ring" stars Attenborough, Mischa Barton, Chris Evans, Shirley MacLaine, Christopher Plummer and Pete Postlethwaite.

Currently shooting in Toronto is a film starring Natalie Portman and Dustin Hoffman called "Mr. Magorium's Wonder Emporium", a family feature from Stupid Zebra Productions. The shoot will run March 27 to June 6.

Produced by Richard Gladstein and Jim Garavente, executive producers are Joe Drake and Nathan Kahane.

Portman will play 'Molly Mahoney', manager of toy store 'Mr. Magorium's Wonder Emporium', who is bequeathed the store by 'Mr. Magorium' (Hoffman), a 243 year-old eccentric.

But once Molly assumes ownership of the premises, a dark and ominous presence begins to take control over the establishment.

Looks like an interesting spring and summer,

Later,
Kenaz

Favourite Scenes From Brando, Bogart, Sinatra and Monroe

Yesterday I gave you sound clips of some of my favourite monologues and dialogues ever delivered. Today I offer video clips from a couple of my all time favourite actors Humphrey Bogar, Marlon Brando, Frank Sinatra and Marilyn Monroe. If the direct player doesn't work, click on the link and this will open the file in a new window.

Humphrey Bogart

Cassablanca-"Of all the gin joints in all the towns in all the world ..." with Humphrey Bogart and Dooley Wilson

Cassablanca-"Now, now. Here's lookin' at you, Kid." with Humphrey Bogart and Ingrid Bergman

"I never dreamed that any mere physical experience could be so stimulating!" with Humphrey Bogart and Katharine Hepburn"

Marilyn Monroe

"Give me a reason." with Eli Wallach in THE MISFITS (1961)

Marlon Brando

Stella!" with Marlon Brando and Peg Hillias

"I could'a been a contender." with Marlon Brando and Rod Steiger

Frank Sinatra

"In the Hole" with Montgomery Clift in FROM HERE TO ETERNITY (1953)"

And as a bonus here's some words of wisdom from the 'Duke'

"I won't be wronged, I won't be insulted, and I won't be laid a hand on. I don't do these things to other people, and I require the same from them." --as J.B. Books in THE SHOOTIST (1976)

Later,
Kenaz

Tuesday, April 18, 2006

Favourite Movie Dialogues

These are my favourite movie monologues and dialogues of all time, enjoy. If the embedded audio doesn't work click on the links.

"To Kill A Mockingbird" (1962)

To Kill A Mockingbird" (1962)

Atticus Finch delivers his Closing Argument at the Trial of Tom Robinson

Finch: To begin with, this case should never have come to trial. The State has not produced one iota of medical evidence that the crime Tom Robinson is charged with ever took place. It has relied instead upon the testimony of two witnesses whose evidence has not only been called into serious question on cross examination, but has been flatly contradicted by the defendant. Now there is circumstantial evidence to indicate that Mayella Ewell was beaten savagely by someone who led, almost exclusively, with his left [hand]. And Tom Robinson now sits before you, having taken "The Oath" with the only good hand he possesses -- his right.

I have nothing but pity in my heart for the Chief Witness for the State. She is the victim of cruel poverty and ignorance. But, my pity does not extend so far as to her putting a man's life at stake, which she has done in an effort to get rid of her own guilt. Now I say "guilt," gentlemen, because it was guilt that motivated her. She's committed no crime. She has merely broken a rigid and time-honored code of our society, a code so severe that whoever breaks it is hounded from our midst as unfit to live with. She must destroy the evidence of her offense. But, what was the evidence of her offense? Tom Robinson, a human being. She must put Tom Robinson away from her. Tom Robinson was to her a daily reminder of what she did.

Now what did she do? She tempted a negro. She was white and she tempted a negro. She did something that in our society is unspeakable: She kissed a black man. Not an old uncle, but a strong, young negro man. No code mattered to her before she broke it, but it came crashing down on her afterwards.

The witnesses for the State, with the exception of the sheriff of Lincoln County, have presented themselves to you gentlemen -- to this Court -- in the cynical confidence that their testimony would not be doubted; confident that you gentlemen would go along with them on the assumption, the evil assumption, that all negroes lie; all negroes are basically immoral beings; all negro men are not to be trusted around our women, an assumption that one associates with minds of their caliber, and which is in itself, gentlemen, a lie -- which I do not need to point out to you.

And so, a quiet, humble, respectable negro, who has had the unmitigated TEMERITY to feel sorry for a white woman, has had to put his word against two white peoples. The defendant is not guilty. But somebody in this courtroom is.

Now, gentlemen, in this country our courts are the great levelers. In our courts, all men are created equal. I'm no idealist to believe firmly in the integrity of our courts and of our jury system. That's no ideal to me. That is a living, working reality!

Now I am confident that you gentlemen will review without passion the evidence that you have heard, come to a decision, and restore this man to his family.

In the name of God, do your duty. In the name of God, believe Tom Robinson.

"Inherit the Wind" (1960)

Inherit the Wind" (1960)

Henry Drummond Questions Mathew Brady on the Scientific Authority of the Bible

Drummond: I call to the stand one of the world's foremost experts on the Bible and its teachings: Mathew Harrison Brady.
Davenport: Your Honor, this is preposterous!
Hornbeck: Brother, let us pray.
Judge: Well, it's highly unorthodox. I've never known an instance where the defense called the prosecuting attorney as a witness.

Brady: Your Honor, this entire trial is unorthodox. But if the interests of Right and Justice will be served, I would take the stand.

Davenport: But Colonel Brady --

Judge: The Court will support you if you wish to decline to testify as a witness against your own case.

Brady: Your Honor, I shall not testify against anything. I shall speak out as I have all my life on behalf of the living truth of the Holy Scriptures.

[Court officer begins to swear the witness in]

Drummond: No, no, no, no -- that won't be necessary to swear him in.

Brady: Oh, I can make affirmation. I have no objection to swearing to God.

Drummond: [chuckling] I take it you will tell the truth. Now, sir, I am right in calling upon you as an authority on the Bible, am I not?

Brady: I believe it is not boastful to say that I have studied the Bible as much as any layman. And I have tried to live according to its precepts.

Drummond: Bully for you. Now, I suppose you can quote me chapter and verse right straight through the King James version?

Brady: There are many portions of the Holy Bible that I have committed to memory.

Drummond: I don't suppose there are many portions of this book you've committed to memory -- The Origin of the Species?

Brady: I am not the least interested in the pagan hypotheses of that book.

Drummond: Never read it?

Brady: And I never will.

Drummond: Then how in perdition have you got the gall to whoop up this holy war about something that you don't know anything about? How can you be so cock sure that the body of scientific knowledge, systematized in the writings of Charles Darwin, is in any way irreconcilable with the book of Genesis?

Brady: Would you state that question again, please?

Drummond: Well, now, let me put it this way. On page 10 of The Origin of the Species, Darwin states --

Davenport: I object to this, Your Honor. Colonel Brady has been called as an authority on the Bible. Now the gentleman from Chicago is using this opportunity to read into the record scientific testimony which you, Your Honor, have previously ruled irrelevant. Now, if he's going to examine Colonel Brady on the Bible, let him stick to the Bible, the Holy Bible, and only the Bible.

Judge: You will confine your questions to the Bible.

Drummond: Alright. Forget it. We'll play in your ballpark, Colonel. Now, there, I'd like to get this part clear first. This is the book that you're an authority on, isn't it?

Brady: That is correct.

Drummond: You believe that every word written in this book should be taken literally?

Brady: Everything in the Bible should be accepted exactly as it is given there.

Drummond: Now what about this part right here, where it talks about Jonah being swallowed by the whale? You figure that really happened?

Brady: The Bible does not say "a whale." It says, "a big fish."

Drummond: As a matter of fact, it says "a great fish." But, I guess that one's pretty much the same as the other. Now, what do you think about that business?

Brady: I believe in a God who can make a whale, and who can make a man, and make both do what He pleases.

Lady in the audience: God Bless you, Mathew Harrison Brady.

Audience: Amen, amen....

Drummond: I want those "amens" in the record. Now I recollect a story about Joshua -- Joshua making the sun stand still. As an expert, do you tell me that that's as right as the Jonah business? That's a pretty neat trick.

Brady: I do not question or scoff at the miracles of the Lord, as do ye of little faith.

Drummond: Have you ever pondered what would actually happen to the earth if the sun stood still?

Brady: You can testify to that if I get you on the stand.

Drummond: If, as they say, the sun stood still, they must have had some kind of an idea that the sun moved around the earth. You think that's the way of things? Or don't you believe that the earth moves around the sun?

Brady: I have faith in the Bible.

Drummond: You don't have much faith in the solar system.

Brady: The sun stopped.

Drummond: Good! Now, if what you say actually happened -- if Joshua stopped the sun in the sky -- the earth stopped spinning on its axis, continents toppled over one another, mountains flew into space, and the earth, shriveled to a cinder, crashed into the sun. Now, how come they missed that little tidbit of news?

Brady: They missed it because it didn't happened.

Drummond: But it had to happen. It must've happened, according to natural law. Or don't you believe in natural law, Mr. Brady? Would you ban Copernicus from the classroom along with Charles Darwin? Would you pass a law throwing out all scientific knowledge since Joshua? Revelations, period?!

Brady: Natural law was born in the mind of the heavenly Father. He can change it, cancel it, use it as He pleases. It constantly amazes me that you Apostles of Science, for all your supposed wisdom, fail to grasp this simple fact.

Drummond: Now listen to this. This is Genesis 4 to 16: "And Cain went out from the presence of the Lord and dwelt in the land of Nod, on the east of Eden. And Cain knew his wife." Now where the hell did she come from?

Brady: Who?

Drummond: Mrs. Cain. Cain's wife. If, in the beginning, there were just Cain and Abel, and Adam and Even, where did this extra woman come from? Did you ever stop to think about that?

Brady: No, sir. I leave the agnostics to hunt for her.

Drummond: Never bothered you?

Brady: Never bothered me.

Drummond: Never tried to find out?

Brady: No.

Drummond: You figure somebody else pulled another creation over in the next county somewhere?

Brady: The Bible satisfies me. It is enough.

Drummond: It frightens me to think of the state of learning in the world if everybody had your driving curiosity. Now, this book goes into a lot of "begats": "And Arphax'ad begat Shelah, and Shelah begat Eber" and so on and so on and so on. Now, are these pretty important people?

Brady: They are the generations of the holy men and women of the Bible.

Drummond: How'd they go about all this begattin'?

Brady: What do you mean?

Drummond: Well, I mean, did they begat in much the same way as folks get themselves begat today?

Brady: The process is about the same. I don't think your scientists have improved it any! Hahahaha....

Drummond: In other words, all of these folks were conceived and brought forth by the normal biological function known as sex. What do you think of sex, Colonel Brady?

Brady: In what spirit is this question asked?

Drummond: Well, I'm not asking you what you think of sex as a father or as a husband or even as a presidential candidate. You're up here as an expert on the Bible. What is the biblical evaluation of sex?

Brady: It is considered original sin.

Drummond: And all these holy people got themselves begat through original sin? Well, all that sinnin' make 'em any less holy?

Davenport: Your Honor, where is this leading us? What has it got to do with the State versus Bertram Cates?

Judge: Colonel Drummond, the Court must be satisfied that this line of questionin' has some bearin' on the case.

Drummond: You've ruled out all of my witnesses. You must allow me to examine the one witness you've left to me in my own way.

Brady: Your Honor, I am willing to sit here and endure Mr. Drummond's sneering and his disrespect, for he is pleading the case for the prosecution by his contempt for all that is holy.

Drummond: I object! I object! I object!!

Brady: On what grounds?! Is is possible that something is holy to the celebrated agnostic?

Drummond: Yes. The individual human mind. In a child's power to master the multiplication table, there is more sanctity than in all your shouted "amens" and "holy holies" and "hosannas." An idea is a greater monument than a cathedral. And the advance of man's knowledge is a greater miracle than all the sticks turned to snakes or the parting of the waters. But, now, are we to forgo all this progress because Mr. Brady now frightens us with a fable?! Gentlemen, progress has never been a bargain. You have to pay for it. Sometimes I think there's a man who sits behind a counter and says, "Alright, you can have a telephone, but you lose privacy and the charm of distance."

"Madam, you may vote, but at a price. You lose the right to retreat behind the powder-puff or your petticoat." "Mr., you may conquer the air, but the birds will lose their wonder and the clouds will smell of gasoline." Darwin took us forward to a hilltop from where we could look back and see the way from which we came, but for this insight, and for this knowledge, we must abandon our faith in the pleasant poetry of Genesis.

Brady: We must not abandon faith! Faith is the most important thing!

Drummond: Then why did God plaint us with the power to think?! Mr. Brady, why do you deny the one faculty of man [that] raises him above the other creatures of the earth: the power of his brain to reason? What other merit have we? The elephant is larger; the horse is swifter and stronger; the butterfly is far more beautiful; the mosquito is more prolific. Even the simple sponge is more durable. Or does a sponge think?

Brady: I don't know. I am a man, not a sponge.

Drummond: Well, do ya think a sponge thinks?

Brady: If the Lord wishes a sponge to think, it thinks!

Drummond: Do you think a man should have the same privilege as a sponge?

Brady: Of course!

Drummond: This man wishes to be accorded the same privilege as a sponge! He wishes to think!!

Brady: But your client is wrong! He is deluded! He has lost his way!

Drummond: It's sad that we don't all have your positive knowledge of what is right and wrong, Mr. Brady. How old do you think this rock is?

Brady: I am more interested in the "Rock of Ages" than I am in the age of rocks.

Drummond: Dr. Paige of Oberlin College tells me this rock is at least 10 million years old.

Brady: Well, well, Colonel Drummond, you managed to speak here some of that scientific testimony, after all.

Drummond: Look, Mr. Brady. These are the fossil remains of a marine prehistoric creature found in this very county, and which lived here millions of years ago when these very mountain ranges were submerged in water.

Brady: I know. The Bible gives a fine account of the flood. But your Professor's a little mixed up in his dates. That rock is not more than six thousand years old.

Drummond: How do ya know?

Brady: A fine biblical scholar, Bishop Usher, has determined for us the exact date and hour of the Creation. It occurred in the year 4004 B.C.

Drummond: Well, that's Bishop Usher's opinion.

Brady: It's not an opinion. It's a literal fact -- which the good Bishop arrived at through careful computation of the ages of the prophets, as set down in the Old Testament. In fact, he determined that the Lord began the Creation on the 23rd of October, 4004 B.C. at, uh, 9:00am.

Drummond: [Is] that Eastern Standard Time? Or Rocky Mountain Time? It wasn't Daylight Saving Time, was it, because the Lord didn't make the sun until the fourth day.

Brady: That is correct.

Drummond: That first day, what do you think, it was 24 hours long?

Brady: [The] Bible says it was a day.

Drummond: Well, there was no sun out. How do you know how long it was?

Brady: The Bible says it was a day!

Drummond: Well, was it a normal day, a literal day, 24 hour day?

Brady: I don't know.

Drummond: What do you think?

Brady: I do not think about things that I do not think about.

Drummond: Do you ever think about things that you do thing about?! Isn't it possible that it could have been 25 hours? There's no way to measure it; no way to tell. Could it have been 25 hours?!

Brady: It's possible.

Drummond: Then you interpret that the first day as recorded in the Book of Genesis could've been a day of indeterminate length.

Brady: I mean to state that it is not necessarily a 24 hour day.

Drummond: It could've been 30 hours, could've been a week, could've been a month, could've been a year, could've been a hundred years, or it could've been 10 million years!!

Davenport: I protest! This is not only irrelevant, immaterial -- it is illegal! I demand to know the purpose of Mr. Drummond's examination. What's he trying to do?

Brady: I'll tell you what he's trying to do. He's trying to destroy everybody's belief in the Bible and in God!

Drummond: That's not true and you know it. The Bible is a book. It's a good book. But it is not the only book.

Brady: It is the revealed Word of the Almighty God spake to the men who wrote the Bible.

Drummond: How do you know that God didn't spake to Charles Darwin?

Brady: I know because God tells me to oppose the evil teachings of that man!

Drummond: Oh, God speaks to you?

Brady: Yes!

Drummond: He tells you what is right and wrong?

Brady: Yes!

Drummond: And you act accordingly?!

Brady: Yes!!

Drummond: So, you, Mathew Harrison Brady, through oratory or legislature or whatever, you pass on God's orders to the rest of the world! Well, meet the Prophet from Nebraska! Is that the way of things?! Is that the way of things?! God tells Brady what is good! To be against Brady is to be against God!

Brady: NO!!! Each man is a free agent!!

Drummond: Then what is Bertram Cates doing in a Hillsborough jail?! Supposing Mr. Cates had the influence and the lung power to railroad through the state legislature a law saying that only Darwin could be taught in the schools!

Brady: Ridiculous! Ridiculous!! There is only one great Truth in the world!

Drummond: The gospel!! The gospel according to Brady!! God speaks to Brady, and Brady tells the world world!! Brady!!! Brady!!! Brady, Almighty!!!

Brady: The Lord, the Lord is my strength --

Drummond: Suppose that a lesser human being -- suppose a Cates or a Darwin had the audacity to think that God might whisper to him? That an un-Brady thought might still be holy. Must a man go to prison because he differs with a self-appointed prophet?! Extend the Testaments! Let us have a book of Brady! We shall hex the Pentateuch and slip you in neatly between Numbers and Deuteronomy!!

Brady: Now, now my friends! --

Drummond: The witness is excused!

Brady: -- my followers --

Drummond: The witness is excused!

Brady: All of you know -- what I said was -- what I believe -- I believe in the truth of the book of Genesis! Exodus! Leviticus! Numbers! Deuteronomy! Joshua! Judges! Ruth! 1st Samuel! 2nd Samuel! 1st Kings! 2nd Kings! Isaiah! Jeremiah! Lamentations! Ezekiel --

Judge: Court is adjourned until 10 o'clock tomorrow mornin'.

"It's A Wonderful Life" (1946)"

It's A Wonderful Life" (1946)

George Bailey: Address to the Board of Directors -- Bailey Building and Loan Society

Potter: ...and all because a few starry-eyed dreamers like Peter Bailey stir 'em up and fill their head with a lot of impossible ideas. Now, I say --

Bailey: Just a minute – just a minute. Now, hold on, Mr. Potter. Just a minute. Now, you're right when you say my father was no business man. I know that. Why he ever started this cheap, penny-ante Building and Loan, I'll never know. But neither you nor anybody else can say anything against his character, because his whole life was -- Why, in the twenty-five years since he and Uncle Billy started this thing, he never once thought of himself. Isn't that right, Uncle Billy? He didn't save enough money to send Harry to school, let alone me. But he did help a few people get outta your slums, Mr. Potter. And what's wrong with that? Why -- here, you're all businessmen here. Don't it make them better citizens? Doesn't it make them better customers?

You, you said that they -- What'd you say just a minute ago? They had to wait and save their money before they even thought of a decent home. Wait? Wait for what?! Until their children grow up and leave them? Until they're so old and broken-down that -- You know how long it takes a workin' man to save five thousand dollars? Just remember this, Mr. Potter, that this rabble you're talking about, they do most of the working and paying and living and dying in this community. Well, is it too much to have them work and pay and live and die in a couple of decent rooms and a bath? Anyway, my father didn't think so. People were human beings to him, but to you, a warped, frustrated old man, they're cattle. Well, in my book he died a much richer man than you'll ever be.

Potter: I'm not interested in your book. I'm talkin' about the Building and Loan.

Bailey: I know very well what you're talking about. You're talking about something you can't get your fingers on, and it's galling you. That's what you're talking about, I know. Well...I've said too much. I -- You're...the Board here. You do what you want with this thing. There's just one thing more, though. This town needs this measly one-horse institution if only to have some place where people can come without crawling to Potter. Come on, Uncle Billy!

"The Lion in Winter" (1968)"

The Lion in Winter (1968)"

Queen Eleanor Lectures her Sons on World Peace

Prince Richard: A knife! He's got a knife!!

Eleanor of Aquitaine: Of course he has a knife. He's always has a knife. We all have knives. It's 1183 and we're barbarians. How clear we make it.

Oh, my piglets, we are the origins of war -- not history's forces, nor the times, nor justice, nor the lack of it, nor causes, nor religions, nor ideas, nor kinds of government, nor any other thing.

We are the killers.

We breed wars.

We carry it like syphilis inside. Dead bodies rot in field and stream because the living ones are rotten.

For the love of God can't we love one another just a little?

That's how peace begins.

We have so much to love each other for.

We have such possibilities, my children.

We could change the world.

"Patton" (1970)"

Patton" (1970)

General George Smith Patton, Jr Addresses the 3rd Army

Now, I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country.

Men, all this stuff you've heard about America not wanting to fight, wanting to stay out of the war, is a lot of horse dung. Americans, traditionally, love to fight. All real Americans love the sting of battle.

When you were kids, you all admired the champion marble shooter, the fastest runner, the big league ball players, the toughest boxers. Americans love a winner and will not tolerate a loser. Americans play to win all the time. Now, I wouldn't give a hoot in hell for a man who lost and laughed. That's why Americans have never lost and will never lose a war. Because the very thought of losing is hateful to Americans.

Now, an army is a team. It lives, eats, sleeps, fights as a team. This individuality stuff is a bunch of crap. The bilious bastards who wrote that stuff about individuality for the Saturday Evening Post don't know anything more about real battle than they do about fornicating.

Now, we have the finest food and equipment, the best spirit, and the best men in the world. You know, by God, I actually pity those poor bastards we're going up against. By God, I do. We're not just going to shoot the bastards. We're going to cut out their living guts and use them to grease the treads of our tanks. We're going to murder those lousy Hun bastards by the bushel.

Now, some of you boys, I know, are wondering whether or not you'll chicken-out under fire. Don't worry about it. I can assure you that you will all do your duty. The Nazis are the enemy. Wade into them. Spill their blood. Shoot them in the belly. When you put your hand into a bunch of goo that a moment before was your best friend's face, you'll know what to do.
Now there's another thing I want you to remember. I don't want to get any messages saying that we are holding our position. We're not holding anything. Let the Hun do that. We are advancing constantly and we're not interested in holding onto anything -- except the enemy. We're going to hold onto him by the nose, and we're gonna kick him in the ass. We're gonna kick the hell out of him all the time, and we're gonna go through him like crap through a goose!
Now, there's one thing that you men will be able to say when you get back home, and you may thank God for it. Thirty years from now when you're sitting around your fireside with your grandson on your knee, and he asks you, "What did you do in the great World War II?" -- you won't have to say, "Well, I shoveled shit in Louisiana."

Alright now you sons-of-bitches, you know how I feel.

Oh, I will be proud

to lead you wonderful guys

into battle anytime,

anywhere.

That's all.

"The Pride of the Yankees" (1942)"

The Pride of the Yankees" (1942)"

Lou Gehrig Delivers Farewell to Baseball Address at Yankee Stadium

Gehrig: I have been walking on ballfields for 16 years, and I've never received anything but kindness and encouragement from you fans. I have had the great honor to have played with these great veteran ballplayers on my left -- Murderers Row, our championship team of 1927.

I have had the further honor of living with and playing with these men on my right

-- the Bronx Bombers,

the Yankees of today.

I have been given fame and undeserved praise by the boys up there behind the wire in the press box -- my friends, the sports writers. I have worked under the two greatest managers of all time, Miller Huggins and Joe McCarthy.

I have a mother and father

who fought to give me health

and a solid background in my youth.

I have a wife, a companion for life,

who has shown me more courage than

I ever knew.

People all say that I've had a bad break.

But today --

today I consider myself the luckiest man

on the face of the earth.

"Casablanca(1942)"

Casablanca(1942)
Airport Farewell

Ilsa appears and waits - her second late-night appearance - in the shadows of Rick's dark, upstairs apartment. When he enters, he turns on the light, revealing her figure in the room [she has gone "up a flight" and "come around" just as he predicted to her outside the Blue Parrot]. He tells her not to affectionately call him "Richard" again as in their Paris days. He is suspicious that she is interested only in the letters of transit he has hidden when she appeals to him to remember the Cause of freedom and put aside his jealousy:

Rick: Your unexpected visit isn't connected by any chance with the letters of transit. It seems as long as I have those letters, I'll never be lonely.
Ilsa: You can ask any price you want, but you must give me those letters.
Rick: I went all through that with your husband. It's no deal.
Ilsa: I know how you feel about me, but I'm asking you to put your feelings aside for something more important.
Rick: Do I have to hear again what a great man your husband is? What an important Cause he's fighting for?
Ilsa: It was your cause too. In your own way, you were fighting for the same thing.

She begs him for the visas he possesses for "any price" [would she offer the 'price' that Annina was willing to give Renault?] - documents that would enable them to fly to neutral Lisbon and then on to America. Rick steadfastly refuses to help, denying that he ever aspired to the same Causes that "Victor Laszlo," the political institution and symbol, champions. She accuses him of being a self-pitying coward:

Rick: I'm not fighting for anything anymore except myself. I'm the only Cause I'm interested in.
Ilsa: (after a significant pause) Richard. Richard, we loved each other once. If those days meant anything at all to you...
Rick: I wouldn't bring up Paris if I were you. It's poor salesmanship.
Ilsa: Please, please listen to me. If you knew what really happened. If you only knew the truth.
Rick: I wouldn't believe you no matter what you told me. You'd say anything now to get what you want.
Ilsa (scornfully): You want to feel sorry for yourself, don't you? With so much at stake, all you can think of is your own feeling. One woman has hurt you and you take your revenge on the rest of the world. You're a, you're a coward and a weakling. (She breaks down sobbing.) No. Oh Richard, I'm sorry. I'm sorry, but, but you, you are our last hope. If you don't help us, Victor Laszlo will die in Casablanca.
Rick (stonily): What of it? I'm gonna die in Casablanca. It's a good spot for it. (He turns away to light a cigarette.)

When reasoning fails, she also turns away. When he turns back, she is tremblingly threatening him with a gun, desperate for him to give up the letters. Rick, not caring if he lives or dies without her love, suicidally steps toward her and calls her bluff:

Ilsa: All right, I tried to reason with you. I tried everything. Now I want those letters. Get them for me.
Rick: I don't have to. I got 'em right here.
Ilsa: Put them on the table.
Rick: No.
Ilsa: For the last time, put them on the table.
Rick: If Laszlo and the Cause mean so much to you, you won't stop at anything. All right, I'll make it easier for you. Go ahead and shoot. You'll be doing me a favor.

When Rick is willing to give up his life, she realizes how much he was hurt by her abandonment. Ilsa's emotions crumble and she cannot shoot. She wavers and then drops the threatening pretense - and the gun:

Richard, I tried to stay away. I thought I would never see you again, that you were out of my life.

She turns away toward the window with tears in her eyes, and then falls into his arms. He has triggered a rekindling of their old affection and she succumbs to his powerful, admirable love. She admits that she was committed to him in Paris, and that she suffered immense pain when she had to leave him and separate. Deluded about her love for the responsible and respectable Laszlo, she suddenly realizes how much she has always loved Rick and still loves him - ending her tender words with a passionate, authentic kiss:

The day you left Paris, if you knew what I went through. If you knew how much I loved you, how much I still love you.

After some time passes [audiences are left to presume what happens between them on this fateful night - was there further physical intimacy?], Ilsa tells him the unrevealed truth of what really happened in Paris and explains the reason she apparently betrayed Rick:

Laszlo was her husband and she was in fact married even when she knew Rick in Paris.

Her husband went to Prague and was arrested. After months of waiting for word of him, she was informed that he had been shot in a concentration camp escape attempt.

Then she met Rick in Paris and fell in love: "I was lonely. I had nothing, not even hope. Then I met you."

Her marriage with Laszlo had been kept a secret: "Victor wanted it that way. Not even our closest friends knew about our marriage. That was his way of protecting me. I knew so much about his work. And if the Gestapo found out I was his wife, it would be dangerous for me and for those working with us."

And then she learned Laszlo was alive the day of their scheduled departure from Paris. With Victor being hidden in a freightcar on the outskirts of Paris, he was so ill that Ilsa had to cancel her plans to leave Paris with Rick to help her husband regain his health: "He was sick. He needed me."

Ilsa knew that she couldn't tell Rick why she remained: "I knew you wouldn't have left Paris and the Gestapo would have caught you."

She also had to remain true to her marriage vows and choose her husband over her lover.
After Rick has heard Ilsa's explanation, he still wonders about the present. Lacking the strength to ever leave Rick again, Ilsa completely submits her will to Rick and promises she will go anywhere and do anything for him. She will arrange for Victor's safe passage - Rick can help get him out of Casablanca with a letter of transit. Caring for Victor's safety and his Cause, Ilsa asks if Rick will still help Victor:

Rick: But it's still a story without an ending. What about now?
Ilsa: Now? I don't know. I know that I'll never have the strength to leave you again.
Rick: And Laszlo?
Ilsa: Oh, you'll help him now, Richard, won't you? You'll see that he gets out? Then he'll have his work, all that he's been living for.
Rick: All except one. He won't have you.

Ilsa hides her face in Rick's shoulder, concealing her inner shame at her passionate feelings for him. Although Ilsa knows that she is doing wrong and that her decision violates all her high ideals, honor, and vows of marriage, she can't help herself. Confused but passionately in love with Rick, she re-pledges her love and consents to living there in Casablanca with Rick. She asks that Rick help her be strong in regards to Victor and think for both of them. She capitulates to Rick - willing to sacrifice herself to him in a loving, but adulterous/common-law relationship:

Ilsa: I can't fight it anymore. I ran away from you once. I can't do it again. Oh, I don't know what's right any longer. You have to think for both of us. For all of us.
Rick: All right, I will. Here's looking at you, kid.
Ilsa: I wish I didn't love you so much.

"On the Waterfront" (1954)

On the Waterfront

Taxi-cab "Coulda Been a Contender"

: Charlie, it was you, you remember that night down in the garden you came in my dressing room and said kid, this ain't your night... we're goin' for the price on Wilson, you remember that? This ain't your night? My night, I could've taken Wilson apart... so what happens? He gets a title shot outdoors in a ballpark, what do I get? a one way ticket to palookaville You was my brother Charlie, you should've looked out for me a little bit. You should've taken care of me a little bit so I wouldn't have to take them dives for the short end money...
Charlie: I had some bets down for ya, you saw some money..
: You don't understand I could've had class, I coulda been a contender, I could've been somebody... instead of a bum which is what I am, let's face it............ It was you, Charlie.

"Hamlet"

Hamlet

To Be Or Not To Be From Hamlet(1948)

HAMLET
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.--Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd.

Later,
Kenaz

Monday, April 17, 2006

Rune Reading For The Period Of April 17-April 23,2006

Introduction to Rune Readings

Rune readings are arrangements of the 24 runes (letters) of the old Futhark alphabet. The layout of the runes is known as a spread, and determines what each rune refers to. For example, in the Three Norns spread, the first rune represents the past, the second the present, and the third the future.

Sets: In addition to each rune having a meaning, the material in which the runes are carved can color the reading. Most people consistently use runes made of ceramic, stone, or wood. In order to broaden your experience, we offer readings with Gold Runes (for questions about business, career, and property), Jade Runes (for questions about love, friendship, and relationships), Ice Runes (for questions about struggle, conflict, and achievement), Spirit Runes (for questions about mysticism, spirituality, and religion), and Stone Runes (for questions about the natural world and things beyond human control).

The question will remain the same: "Will this week be a successful one?"

Rune Alphabet



Spread:Cross(in order of reading)
The Cross spread is used to plot the arc of your life and the forces acting on it. It is the most popular spread, giving a very complete view of the situation. Ice Runes are most commonly used for questions about struggle, conflict, and achievement.




Here is the Reading Using the Ice Set.

1.


The left rune represents an important element of the past. Algiz can be easily recognized as the antlers of the elk that it represents. The elk can represent victory, but is much more appropriately associated with the thrill of the hunt itself. This rune therefore can portend vigor and success in active endeavors. Also, this rune seems symbolic of a hand with outstretched fingers - a protective hand. This hand may suggest that you will be shielded from things negative - the problems still exist, you are spared the brunt of their force.

2.


The middle rune represents a deciding element of the present. Nyd is frequently seen as a powerfully negative rune. You have drawn the rune reversed, which will lessen some of its effects. Generally Nyd represents loss, sorrow, and a hard journey with lessons learned. Nyd reversed here might be cautioning that the lessons might go unheeded representing repeated mistakes. The rune here might also be representing a minor loss or a nearly avoided catastrophe. Be careful, things are tricky and require strong attentiveness.

3.


The right rune represents the critical element of the future, at the core of the final outcome. Inguz is the rune of completion and fertility. The presence of this rune suggests that tasks which have been initiated will come to fruition. This rune is associated with Ing and Frey, it is this connection that explains its connotations of both fertility and sexuality. The variant of this rune shown here is reminiscent of the twin strands of life, and of the challenge and rewards of bringing together things complimentary.

4.


The top rune represents a force that works for you. Raido is the rune of riding, as in a cart or as cargo. It is seen here reversed, suggesting a disruption of travel or communication. Etiological analysis of this rune has also given it interpretations of advice or justice, and of being in a position of moral correctness. Reversed, there is an indication of the lack of solid council, or the holding of a position that is not morally sound.

5.


The bottom Rune represents a force that works against you. Berkana, the birch tree, is representative of rebirth, fertility, and a positive outcome to ventures undertaken. It is also the rune of families. Here the rune is reversed, warning you to be heedful of new beginnings, lest they sour. Rebirth is either delayed, or totally disrupted. There is also a warning of family troubles.

If you are further interested in Rune stones, please check out a script I wrote about three years ago. The story tells of a women's chance encounter with the towns rune reader and physcic. Her reading leads to a terrible discovery about her ex-husband.Click here to read 'Evil Of A Different Kind'

Later,
Kenaz

Favourite Easter Movie:Easter Parade

"Judy Garland singing Easter Parade"

Easter Parade Lyrics

Never saw you look quite so pretty before
Never saw you dressed quite so lovely what's more
I could hardly wait to keep our date this lovely Easter morning
And my heart beat fast as I came through the door
For

In your Easter bonnet, with all the frills upon it
You'll be the grandest lady in the Easter parade

I'll be all in clover and when they look you over
I'll be the proudest fellow in the Easter parade

On the Avenue
Fifth Avenue
The photographers will snap us
And you'll find that you're
In the rotogravure

Oh, I could write a sonnet about your Easter bonnet
And of the girl I'm taking to the Easter parade




Originally intended as a re-teaming of Judy Garland and Gene Kelly, EASTER PARADE ran into trouble when Garland's doctors advised against her working under the direction of her husband, director Vincent Minnelli--and no sooner did director Charles Walters take the helm than Gene Kelly broke his leg. Out of such confusion are movie musical miracles born: although a bit old to act as Garland's leading man, Fred Astaire was coaxed out of retirement. He and Garland had tremendous chemistry, EASTER PARADE was a box office smash, and Astaire unexpectedly found himself reborn as an MGM star.

Set in 1900s New York, the film's story line is flimsy but enjoyable. After long-time dance partner Ann Miller abandons the act, Astaire hires chorus girl Garland and attempts to recast her in his former partner's mold--a situation which offers Astaire and Garland considerable comedy and gives Astaire the chance to parody several of his own famous dance of the 1930s. Garland eventually convinces Astaire that she needs to be herself, and once the act is revamped they become a hot ticket--and, once their several romantic complications are resolved, romantic partners as well.

Astaire is every bit as charming here as he was in his Ginger Roger days, and his choreography retains his signature sharpness, wit, and elegance. Although Garland isn't really a dancer, she holds her own with Astaire and she tears strips off a brilliant score of Irving Berlin favorites. Both are well supported by Anne Miller, who gives a brilliant turn with 'Shakin' the Blues Away,' and Peter Lawford, who is quite charming as one of Garland's admirers. Although this really isn't as inspired as the truly great MGM musicals of the late 1940s, director Walters keeps it going at a smart pace, and the star power, clever script, memorable score, and those legendary MGM production values elevate it well above the pack.

Trivia

* Garland's husband Vincente Minnelli was originally slated to direct, but Garland's psychiatrist advised them not to work together.

* The shedding feathered gown worn by Garland in one number is an in-joke reference to Ginger Rogers' problematic gown in Top Hat (1935).

* A Garland solo number, "Mr. Monotony", was cut from the film.

* Gene Kelly was originally scheduled to play Don, but he unexpectedly broke his ankle playing touch football. It was at his suggestion that he be replaced by Fred Astaire. Cyd Charisse was up for the role of Nadine, but her pregnancy forced her to drop out. She was replaced by Ann Miller. Although she had been a star for years, Judy Garland had never met Fred Astaire before, and was afraid to speak to him until they were properly introduced.

* This is the second time that a character says to Judy Garland: "Why didn't you tell me I was in love with you?" in a film. The first was Gene Kelly in For Me and My Gal (1942).

* Ann Miller danced with pinched nerves in her back. Also, she was too tall, so she had to wear flats so she wouldn't be taller than Fred Astaire.

* The dye from the feather on Judy Garland's hat in "Fella with an Umbrella" song, ran all over her face and jacket, so they coated it with vaseline. The feather looks different in two different shots.

Later,
Kenaz

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